International Day of Cloning: June 5th, 2011

Let it be said now – June 5th, 2011 would be as good a day as any, for an audiovisualist to be in three places at once.

In Sydney

Chris Cunningham brings his triple screen live audiovisual performance to Sydney Opera house as part of the Vivid festival. To what extent his performance is live has already been debated, but the lure of this director’s back catalogue and the teasers glimpsed online mean that expectations are like that astronaut suited guy in the hot air balloon at the edge of the atmosphere. Who knows?

In Montreal

Already a fond pilgrimage for those wanting to worship at the altar of techno, drone, glitch and bass – this year’s Mutek festival promises a stellar collection of audiovisual related events:

– Mexican ambient-techno producer Murcof – teamed with Anti-VJ – co-performing a ‘three dimensional cosmos’ across 3 screens.
– Finland’s Mika Vanio ( ex – Pan Sonic ), debuting a new live audiovisual concert.
– UK’s Sculpture play their homemade zoetropic discs – “slabs of vinyl illustrated with otherworldly patterns that they play at various speeds and then film to create simultaneous cycles of analogue sound and looping, mind-melting imagery”.
– Women with Kitchen Appliances have a name that demands festival goers will at least wander in to check out what they might be doing.

Oh and ‘just music’? Amon Tobin debuts his new ‘live performance featuring an enormous stage set-up that promises otherworldly experiences’. And there’s Gold Panda, Mode Selektor, Siriusmo, Adam X, Plastikman, Fourtet improvising with UK jazzy house fusionists Rocketnumbernine, and so on. And a series of workshops including one by the makers of Madmapper, the much anticipated projection mapping software due for release shortly, and panel discussions about Augmented Reality as a creative playground. Mutek. Montreal. Daayum.

In Melbourne

Okay, so not strictly audiovisual, but visionaries like Sun Ra see with more than their eyes, and either these next few words will mean a lot to you, or they won’t, but the Sun Ra Arkestra is.playing.in.Melbourne. Also known as The Solar Myth Arkestra, His Cosmic Discipline Arkestra, The Blue Universe Arkestra and The Jet Set Arkestra etc. They’ve been kicking for six decades now, and although no longer fronted by afro cosmonaut and renowned composer Sun Ra (who passed away in 1993), this performance represents the Australian premiere and a chance to experience their unique and exhilarating, free-floating explorations of ‘tone-science’. At the Forum theatre as part of the Jazz festival, Space is the place, ladies and gentlemen.

by j p, May 13, 2011 0 comments

Learning Quartz Composer Part 2

Previously:
Learning Quartz Composer Part 1

And Then:
More babysteps with Quartz. I set about trying to make a split-screen effect quartz effect which would replicate any video 9 times within the same screen. (This was to fulfil a request for someone who wanted me to alternate between fullscreen and 9 videos on a video wall made up of 9 screens, where a hardware matrix switcher would usually be used, but couldn’t be on this for some reason.

Over at the quartz section of Vidvox forums, Vade answered my query with:

“Can’t you use 9 billboards and make them 1/3rd the size of the screen and position them accordingly?”
and even offered up an example file.. http://vade.info/9.qtz

Bingo! Coming from traditional video editing land, I hadn’t even been able to grasp that creating a new billboard effectively creates a new image that can be composited. So then, loaded with new brain juice, I set about transforming the patch so it would work within VDMX.

There were a few barriers:

1- For parameters within a Quartz patch to show up as visible, adjustible parameters within VDMX, a process called ‘adding a published input’ needs to be done. The above quartz patch was set-up to take a webcam input and replicate that 9 times. This needed to be changed to a ‘published image input’, which would mean when loaded as a VDMX effect, it would take any movie playing in that VDMX layer, and apply the replication and compostion effect to it. The adding a published input process is documented on the VDMX wiki.

2 – Although the webcam split evenly into 9 screens, when taken into VDMX the 9 clips had plenty of overlaps. This became a tedious process of working in quartz with webcam version, dimension mode on auto-height, adjusting the input parameters for each billboard a certain amount, then adding the VDMX input back in, importing to VDMX and testing what it looked like now. (If anyone has any advice on making composition arrangement in Quartz less painful, love to hear about it! ). Eventually, I managed to make a VDMX effect that can quickly turn any 16:9 clip into the desired 9×16:9 clips, in a 16:9 screen.

And here it is: https://www.skynoise.net/quartz/9screens16_9.qtz
( Dump that into your Quartz FX folder of VDMX and it should show up as an effect for any layer ).

Moving Along:

The transitions used in VDMX are available as quartz files to play with in the VDMX composition mode folder. Open them in Quartz, saving under a new name and playing around with them makes it fairly trivial to make new transitions. If you add something else useful from Quartz to them, or wish to have real-time access to any of the parameters of the transitions ( eg opacity / angle, etc ), these parameters can be published as inputs using the above methods, and then they show up as VDMX friendly parameters that can be mouse dragged or audio synced etc.

A Next Batch of Quartz Problems:

Planning to work through these over time, but figured I’d list them here, in case any pointers fly in…

– Is it possible to select an anchor point for rotating a clip in QC? (So that for example, a point well below the screen could be used as the centre of a circle that passed in an arc across the top of the screen.) I found the anchor.qtz example patch which seems more related to anchor points in HTML pages, but maybe there’s a way of using it?  And the ‘Image Transform’ effect has a rotation parameter, but no adjustible anchor point?)

– How can a slider transition be adjusted so that both clips move in sync, not just one sliding in over the other?

– Related to the slider sync – how to do seamless tiling? Am guessing once the sliding is figured out, use mirrored images at the edge of an image, to enable a seamless horizontal or vertical scrolling loop?

– Is it possible to include video masks on a layer, not just image still masks? Is it possible to use masks that effectively create blank / alpha channel space around pixels in a layer?

– Some day : separate photoshop layers with adjustible depth of field blur in sync with z depth?

– Some day II : sliders that create exponentially smaller (replicated) slices of a video.

– Some day III : more sliders, that create puzzle slider type FX, but with adjustible zooming and scaling on the pieces – so they stay the same puzzle size, but are more or less zoomed in.

So if you’ve got any advice, suggested reading / plug-ins etc about any of the above – please get in touch.

Next: Learning with Quartz Part 3 – DIY anchor rotation FX for VDMX

by j p, May 5, 2011 6 Comments

Rebuilding Monkey Dreams

Want to directly support a very legendary local musician, who recently had his solar powered studio broken into?

The unfortunate recipient of the break in was Monkey Marc (Lab Rats, Combat Wombat, esteemed solo artist, and relentless workshop and gig organiser – read more about his technicoloured musical history at monkeymarc.com, or in a previous Skynoise interview).

“It took several months or hard work, a bit of a crazy idea and some help from friends to make the solar powered studio dream come true, and now its been going from strength to strength (despite a few ‘electrical’ issues) for nearly 2 years. It takes six solar panels on an old horse float and almost one tonne of batteries. The studio itself is built inside an old shipping container.”

– Monkey Marc’s website, describing his studio at Abbotsford Convent Artist Community in Melbourne, Australia, where he recorded all of the music for his latest album using solar power.

Solar Powered Monkey Fundraising
http://monkeymarc.bandcamp.com will let you specify whatever price you want for Monkey Marc’s most recent album (solo instrumental hip-hop, dub, future dub and dubstep) as an ‘immediate download of 11-track album in your choice of 320k mp3, FLAC, etc’. It’s a pretty good deal – gain a pretty fine album, and the knowledge your donation is going directly towards replacing stolen recording and musical equipment. Help a monkey in need!

by j p, April 21, 2011 0 comments

VJ News: Mapping, LPM, MaxforLiveness, Post-Screen Vidi-yo

Seems there’s a bit of momentum picking up in live-pixel land. Lots of festivals, ideas and software developments.

MODUL8 + Mapping Festival, Geneva (19-29 May, 2011)

As well as a thematic focus on video projections mapped onto non-screen surfaces and shapes, this year’s festival will see the official release of MadMapper, a new video mapping software created by GarageCUBE (Modul8) and 1024_architecture. There are plenty of impressive demonstrations of Madmapper on the 1024 blog, and it lokos like the final release will include ‘native communication with Modul8 and QC, unlimited mapped surfaces, masking and drawing, and much more’. Festival bonus points – Melbourne’s Kit Webster was chosen as one of the few selected from International applicants to show an installation. See more at http://kitwebster.com.au.

VDMX Beta 8 + LPM, Rome (19-22 May, 2011)

Meanwhile, another gaggle of pixel-heads converge in Rome for the annual Live Performer’s meeting. Notable this year will be the rare fleshy appearance of the VDMX coders from vidvox.net, crawling out of their bunkers briefly to describe some of the benefits of their new BETA 8 ( such as built in Syphon support, and a whole range of underlying improvements). Also of note – the launch of a book on Quartz Composer, written by VJ Shakinda and Surya Buchwald (Aka Momo the Monster).

Audiovisual Mayhem With Maxforlive

Melbourne audiovisualist, Zealousy, has been developing a series of interesting looking Max For Live patches, which he calls Vizzable VJ Plugins, and he recently joined forces with Fabrizio Poce who makes the V-Module suite, merging their projects “to provide a comprehensive suite of video, effects and real-time graphics tools for Live,” and, “If you’d like to become involved in testing and developing these plugins please join the discussion at http://groups.google.com/group/jitterinmax4live-

But What Does It All Mean?

Berlin’s clubtransmediale.de held a symposium in February, with a spotlight on the practice of media-based audio/visual live performance considering what ‘liveness’ entails in the age of media technology. Luckily for those elsewhere, a nice long list of provocative people, ideas, links, transcripts, and videos has been generously compiled by someone in attendance – the UK’s Toby *spark, who is both a live cinema pioneer and currently framing his Phd on the topic. If interested in live video, plenty to chew on here: http://tobyz.net/tobyzstuff/diary/

Teeming Void + Transmateriality

Also well worth a read, the latest piece by Mitchell Whitelaw (resident Canberra theorist and practitioner in generative art, data visualisation, physical computing, digital materiality etc.), which explores our fascination with glowing rectangles in today’s media ecology, and how processes and techniques such as projection mapping have been offering some ways to explore digital art beyond the screen. Great project examples and plenty to think about.

by j p, April 14, 2011 0 comments

Recent Experiments with Batgirl

vdmx snapshot, batgirl in bangkok

Above: Batgirl on a Bangkok rooftop, mixed with Tasmanian coastal footage and some quartz gradients and transitions in VDMX. This is a still from a series of recent video experiments that have involved recording video clips of live mixing with Syphon, then immediately bringing those clips into the mixing process, and repeating. And repeating. (Hats off to Vade and Bangnoise for enabling this workflow!) Will upload some sort of crash edit of video fragments to vimeo when time permits.

Below: More stills from this process, uploaded as a batch to Flickr.

by j p, April 12, 2011 0 comments