BoinxTV Review

Supercharging that whole laptop as portable TV station idea – Boinx TV.

Boinxscreen

Vat Ist?
Video mixing software (mac only) set up for easy, intuitive real-time control over live cameras, recorded clips, slides, infographics, text and capable of streaming live as it happens.

The BoinxTV Interface
There’s almost nothing within BoinxTV that can’t be done with VJ software – with a lot of customisation and editing. The value of BoinxTV is that a lot of functions very useful for live video presentations, have been compiled thoughtfully into an easy to use interface. New features are selected easily and added as layers to the central interface component. Editing and refining for each layer is done in the left side panel, and the right panel shows the master output. Selecting between and triggering layers and events ( eg switching to a new camera, adding an infographic, doing a cross fade to a net based camera etc ) can be done onscreen, with user keyboard shortcuts, a midi controller or via an iPhone app. It’s a fast and efficient system and would greatly simplify the workflow for making video presentations, tutorials, podcasts or framing live event broadcasts.

Boinxscreen2

Features
Aside from the basics (implemented well) such as video switching, camera switching, scaling and adjusting image quality, inserting graphics and text, Boinx also enables the use of high-grade AXIS network cameras, multiple cameras, the easy inclusion of video skype calls from others, integration of RSS feeds for ticker tape scrolls, as well as twitter feeds (allowing comments from viewers), drawing on screen and decent chroma keying (for an easy newsdesk feel or for the use of virtual backdrops). Users can also create their own custom layers using Apple’s Quartz Composer software.

One of it’s best features is the capacity to bundle all of this up and send all the final master out live online – although this isn’t as simple to access as the rest of the features and will hopefully get integrated into a future version. To stream live requires installation of further software ((either GrabberRaster($) or Camtwist (free)), which makes the Boinx signal compatible for the likes of streaming software such as quicktime broadcaster, ustream, stickam and justin.tv.

Bonus points: Using Syphon, Boinx can record real-time HD output from VJ software running on the same laptop (via @fALk_g in Berlin)

Requirements
Intel Multicore CPU based Mac with discrete graphics (MacBook Pro’s starting late 2007), Mac OS X Leopard (10.5.8) or later. QT 7.66 or later. Webcam or professional video camera with Firewire, SDI or HDMI.
And $49 for Home version, $499 for Full version. (See : http://www.boinx.com/boinxtv/home/compare)

Verdict:
The Home version will probably suit most people’s needs, and is a remarkably featured piece of software, which can greatly simplify the production of video presentations, video podcasts, screencasts, and tutorials. It’s also a very easy and convenient way to add a layer of professional depth to any live net broadcasts.

by j p, March 10, 2011 1 Comment

iStopmotion 2 Pro Review

istopmotion
Fruit and vegetable dance choreography ( or claymation zombie wars ) just got easier with version 2.5 of iStop motion. 

Vat Ist?
Stop motion ( or stop action ) animation creates the illusion of movement by photographing objects in new positions for every frame. iStopmotion is software dedicated to streamlining that process as much as possible, offering a range of previews, adjustments and relevant effects for monitoring a camera connected to your computer and ensuring accurate controls over the movement of your objects.

Features
While there are for more powerful (and expensive) animation software packages available, the beauty of iStopmotion is in it’s dedicated focus, and the feature set is tailored and trimmed to specifically suit the needs of stop motion animators, avoiding other animation complexities. Below, some of the ways stop motion life becomes easier:

– Image capture adjustments ( flip or rotate image / colour correction and presets / use of overlays and grids for guidance ).
( Note – in terms of image capture, most Canon DSLR cameras are no longer supported in Mac OS X Snow Leopard 10.6.5 and 10.6.6. This is a result of Apple’s dropping of support for those cameras though, not a fault of iStopmotion itself, but hopefully it’s something that will be resolved soon. )
– Onion skinning ( overlays of each frame to allow understanding of how a sequence of movements will look )
– built-in chroma ( or green / blue ) screening
– Custom foregrounds and backgrounds can easily be inserted
– No in-built painting / editing of frames, but it does support easy transferral of frames to Photoshop for that purpose, and then adjusts the frame to suit the new edits.
– Support for using a soundtrack and/or other layers of video as animation guidance.
– Support for the Apple remote control, to capture images from your animation work-table.
– Support for multiple cameras at once
– Integration with Final Cut Pro
– Tilt Shift effect – for applying that miniature real world look.
– Time Lapse capture – create time based effects by capturing frames at specified gaps of time.

And cutely, there’s an option for printing animation sequences as a Flip Book.

Requirements
OS X ( it’s mac only software ), Snow Leopard recommended, but earlier versions still available for use on earlier systems.
Cash: $49 for home version, $99 for Express version and $499 for Pro version ( Major differences are the maximum resolution size, and integration with FCP. Free demo available.

Verdict
No, it’s not After Effects, but for stopmotion enthusiasts, this is a great way to streamline and focus animations.

by j p, March 3, 2011 0 comments

Musical Cinema And Software Hacking

soderberg
Funny that it’s a DVD called ‘The Planet‘, that sends me back into the lands of region free firmware hacking and ripping software.

The Swedes Sent It
Specifically, it was Johan Söderberg, or one of his webmonkeys, who sent the Region 2 encoded disc all the way to Australia (region 4). The Planet is a made for TV environmental documentary, from 2006, but given the quality of his earlier film, Lucky People Centre International, and Soderberg’s editing efforts in general, it seemed worth a shot. ( Sodeberg is also famous as the editor of that Iraq war related lip-synced love duet featuring Tony Blair and George W. Bush) Anyway, it had been a while since I’d bought a DVD. The disc goes in, and up pops the reminder of region encoding. Pushed by the motion picture industry so films can be released at different dates at different times, through different distributors, and only effectively managing to annoy people who have paid to watch a film. Way to drive people to piracy.

Region Free Options On Mac
Include ripping the disc to your hard-drive, and removing the region code restrictions using Mac The Ripper. Takes time and space.
Handbrake will transcode your DVD into a playable movie file. Takes even more time, but less space.
Or – for the adventurous – the mac firmware can be upgraded / de-crippled using free software and instructions from http://forum.rpc1.org/ ( see the mac section ). Once your drive’s firmware is changed to region-free, you’ll also need Region X to select a region each time.
There, aren’t you glad you bought the disc, rather than downloaded a version you could watch straight away?

While It Rips
It’s worth pointing out a few worthwhile projects, that explore some of the Lucky People styled audiovisual terrain:
Sound of Noise is a feature film that uses found objects onscreen as musical instruments, and is made by the musicians involved with ‘Music for One Apartment and Six Drummers‘. Also a Swedish enterprise, and released in Dec 2010.
Chris Cunningham has plans to deliver an audiovisual album. ( See track 1 set in New York, a remix of Gil Scott Heron )
Pogo from Perth, is developing a global collection / album / DVD by cutting new tracks to footage shot in various locations ( after funding travel there by kickstarter ).

by j p, February 21, 2011 0 comments

On The Road with Scattermusic Soundsystem

Scattermusic East Coast Tour Highlights from jeanpoole on Vimeo.

Part of the reason I’ve been quiet on the blog this year, was because of a very busy November and December with video. So it’s good to finally reflect some of that. Back in November I travelled up the Australian East Coast with the Scattermusic Sound System. Which meant 5 guys with 5 laptops in a van for 3 weeks, a dozen gigs, bouncing from Melbourne to Brisbane and back in a space-age Tarago, foam parties, passing through schoolies week in the Gold Coast, realising that our Wagga Wagga gig was at the same time as a world bantam weight boxing match being screened at the same venue, burnouts in Ballarat (as savoured by French Fries who had come along for that gig), Mat Cant twittering away and getting shout outs from Rinse.fm as we travelled, a projector mount that clamped onto anything ( including hotel cabin doorframes for late night movies ), and of course, a never ending supply of great tunes (most overheard sentence in the van? “This track is sick.”)…

Being able to actually document projections in a half-decent way now ( thanks to picking up a Canon 7D last year ), means I’m going to publishing a lot more video online from here in. It’s something that has been a long time coming, and I’m quite happy about finally getting that ball rolling.

Video credits:
Music: Scattermusic soundsystem feat Serocee – east coast anthem (mat cant dub edit)
Video edit, camera work and tour VJing by Jean Poole.
( Geelong photo by The Cheap Assassin, Bin Juice cover art by Michael Cusack )

by j p, January 25, 2011 0 comments

Oily Water, A Belated 2010 Tech Round-Up

assange_glasses

[[Below was my final technology column of the year for 3DWorld magazine in 2010. Only get 400 words or so to play with there, but added a few words and links at the bottom here, that point to some more interesting reading on the info-tech event of the year… ]]

The big technology stories of 2010 arguably revolved around oil and information – the flow of it, the spilling of it, and the abundance of hot air generated by it.

The White House called BP’s Gulf of Mexico spill in April 2010, the ‘worst environmental disaster the US has faced’, and it ended up being the ‘largest accidental marine oil spill in the history of the petroleum industry’. BP’s internal documents were later to reflect the spill was their own fault, and they only had themselves to blame for their own PR moves which included their CEO taking time out to relax at a yacht race during a key time of the repairs. Amongst the many responses to some of BP’s press gaffes, twitter user @BPGlobalPR provided the funniest and often most biting commentaries.

Later in the year, in Cancun, Mexico, we had some small progress towards our increasingly necessary transition to a low-carbon, resource-efficient economy. At the Cancun climate conference, a funding model was approved  that aimed to provide $100 billion a year of funding for developing countries by 2020 to help them green their own economies as well as adapt to the impacts of climate change. A win of sorts. Next meeting, Durban, 2011. Meanwhile:

“A trimaran sailing boat has circled the North Pole in a single summer season (Oct, 2010), a feat made possible by global warming and the melting of the Arctic ice cap.”

Information Wants To Be Free / Comic / Tragic

“They could plug into your wire whenever they wanted to. You had to live – did live, from habit that became instinct – in the assumption that every sound you made was overheard, and except in darkness, every movement scrutinized.”
– George Orwell, 1984

“Both the American people and nations that censor the internet should understand that our government is committed to helping promote internet freedom.”
– Hillary Clinton, now part of White House moves to try and prosecute Wikileaks in regards to leaked U.S diplomatic cables, some of which suggest Clinton ordered espionage on U.N. members.

“Censorship has also been privatized… litigious billionares and big companies are able to effectively prevent certain things appearing in public..”
– Julian Assange, founder of Wikileaks, which was refused service by PAYPAL, Mastercard, Amazon’s hosting late in 2010.

“We know for sure that one big media company in the US had the ‘Collateral Murder’ video for years and did not release it.”
– Julian Assange

“The aim of Wikileaks is to achieve just reform around the world and do it through the mechanism of transparency.”
– Julian Assange

“Yeah so if you ever need info about anyone at Harvard, just ask. People just submitted it. I don’t know why. They “trust me”. Dumb fucks.”
Mark Zuckerberg, during his early years of Facebook. He was the 2010 Time person of the year. The Time readers poll voted for Assange.

“Every CEO of a social network should be required to use the default privacy settings for all of their accounts on the service.”
– Anil Dash

But What Does It All Mean?
Wikileaks has of course, generated a wealth of debate about its impact and importance. Some of the more interesting pieces to be found:

First up, there’s “State and Terrorist Conspiracies” – an essay written by Julian Assange himself, which attempts to provide a philosophical foundation for Wikileaks. Remarkably, given the amount of international press, it took a blogger to point out the availability of that essay online ( thanks Aaron Bady! / zunguzungu ), and his analysis, ‘To destroy this invisible government’, adds depth to some of the more hyperbolic pro and con arguments being published.

Inevitably, much is being made about the lack of condom / rape allegations surrounding the case in Sweden.  This has extended to ‘raging debate among feminists regarding reaction to Assange’s arrest and its meaning.’ Rape deserves to be treated seriously, and celebrity profiling is easier than exploring the bigger picture, but disproportionate media coverage about these tangents of Wikileaks, given the mountains of revelations also available, in the end does the media a disservice.

Geert Lovink dropped ten theses on wikileaks back in Aug 2010.

Jaron Lanier wrote a lengthy and scathing critique at The Atlantic, ‘the hazards of nerd supremacy‘, which contains much of merit, but then maybe missed the point as well – at least according to Zeynep Tufekci, an assistant Professor of sociology at Baltimore. In her piece, also published at The Atlantic, she claims the real news story is the exposure of internet control mechanisms.

“What the Wikileaks furor shows us is that a dissent tax is emerging on the Internet. As a dissident content provider, you might have to fight your DNS provider. You might need to fund large-scale hosting resources while others can use similar capacity on commercial servers for a few hundred dollars a year. Fund-raising infrastructure that is open to pretty much everyone else, including the KKK, may not be available. This does not mean that Wikileaks cannot get hosted, as it is already well-known and big, but what about smaller, less-famous, less established, less well-off efforts? Will they even get off the ground?”

It’s all a saga that seems tailor made for sci-fi author / computer espionage / hacker Bruce Sterling, but when he finally chipped in with his typical campfire storytellers summation, his descriptions of Julian and likely trajectory of wikileaks, really polarised readers. I thought he encapsulated some ideas and contexts really well, but could see a lot of the commenters on his piece are hungrier for change than Bruce. While it’s hard to predict the spectrum of possible changes Wikileaks might trigger in the coming year(s), this list of news already published by Wikileaks (noted by one of the above commenters), suggests we should be prepared for anything.

by j p, January 25, 2011 1 Comment